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| Konrad Sprenger (Jörg Hiller)
Berlin
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| Duo Geloso
with Paul Panhuysen, Eindhoven
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| End Correction
with Pierre Berthet, Liege
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| Shelley Hirsch
Berlin, 1991-1992
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| Konrad Sprenger (Jörg Hiller)
Berlin
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| Konrad Sprenger (Jörg Hiller) has collaborated with Dreyblatt on a number of performance
projects, including Ausland, Berlin and the Kunstlerhaus Stuttgart
in recent years. He has also been involved in editing and mixing recordings
of Dreyblatt's music, including The Adding Machine, Cantaloupe, 2001. |
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| Jim O´Rourke
Chicago, New York |
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| Collaborations with Jim O'Rourke:
Concert:
May 25, 1997,
Lounge Ax Club, Chicago
Arnold Dreyblatt, Excited Strings Bass
Jim O'Rourke, Snare Drum
Kevin Drumm,
David Grubs, Guitars
Maureen Loughnare, Violin
Curated by Jim O'Rourke
Reissue, Remastering:
Nodal Excitation
Original: 1981; Reissue: 1996
Dexter's Cigar, Drag City
Concert:
January 18, 19, 2001
Arnold Dreylatt, Orchestra of Excited Strings
Tony Conrad
Jim O'Rourke
(A Collective set took place)
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 Tonic Poster 2000
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| Andy Statman
New York |
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The first collaboration with Andy Statman was in 1991 in New York for the recordings
which were later included on the CD compilation: “Haymische Groove”
from Extraplatte in Vienna (See Discography).
In 1995 Statman was invited to the 10 Year Berlin Anniversary Concert of The
Orchestra of Excited Strings at Podewil in Berlin,
where he performed as a guest soloist with the Ensemble.
Podewil, Berlin, 1995
 1. Statman Dirge 15:24
2. Statman Basque 4:04
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| Duo Geloso
with Paul Panhuysen, Eindhoven |
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A Music Performance Collaboration on various combinations of modified, self-made
and traditional instruments including electric and hawaiian guitars, accordian,
piano, violin with voice and electronics.
Performances 1987:
Cologne: Stadtgarten
Bremen: Gesellschaft für Aktuelle Kunst
Braunschweig: Film Fest
Rotterdam: De Unie
Gent: Stichting Logos
Hasselt: Instituut voor Bildende Kunsten
East Berlin: Marienburgerstrasse Festival
De Unie, Rotterdam, 1987
High Life Live
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| End Correction
with Pierre Berthet, Liege |
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Arnold Dreyblatt - Electronics and Homemade Electric Guitars, Dynamic Gate Processing
System
Pierre Berthet - Percussion
I have worked closely with Pierre Berthet since 1989, when we first performed
our collaboration "End Correction" at concerts in Holland, Italy and
Belgium. Pierre has also performed in my ensemble, "The Orchestra of Excited
Strings" from 1991 - 1997 in many concerts throughout Europe and the U.S.A.
End Correction: Performances 1989-89:
Eindoven: Effenar
Groningen: De Salon
Den Haag: Oyvaer Desk
Liege: Summer Festival
Ferrara: Aterforum Festival |
Download Technical Diagram
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| Tibor Szemzö
Budapest |
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| Arnold Dreyblatt: Lap Steel Guitar
Tibor Szemzö: Processed Bass Flute with Feedback
Performances:
1987:Budapest: Theater Skene, Kinizsi Club; Miskolcs: Bartok Akademie, Petrofi
Cznarnok
1986: Berlin-Ost: Marienburgerstrasse Musik Festival
Tibor also produced two concerts in Budapest:
1983: Solo Performance, Theater Skene
1986: The Orchestra of Excited Strings, Petrofi Cznarnok |
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| Shelley Hirsch
Berlin, 1991-1992
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| Ellen Fullman
San Francisco |
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| I first met Ellen Fullman in the late 70's in New York when she was beginning
to develop her Long String Insturment. I also remember well her wonderful
early song compositions.
I performed with her on a European tour of her instrument in Stuttgart, Amsterdam,
Eindhoven and Berlin in 1986 and we often exchanged information on tuning systems
and instrument development in the succeeding years.
In 2004, I introduced her to Jörg Hiller (alias Conrad Sprenger) and suggested
that they record some of her song compositions from the seventies, along with
one of my favorites, "I Ain't Got No Home" from Woody Guthrie, which
resulted in the much acclaimed CD, "Ort" on Hiller's Choose
Label and a number of live tours. |
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